Artists on the soundtrack are The Rolling Stones, The Small Faces, Chris Farlowe and Eric Burdon and The New Animals with ‘Out Of Time’, ‘Paint It Black’ and ‘Here Comes the Night’. The Rolling Stones are seen in a studio, recording ‘Lady Jane’, while the art of body painting, footage of political demonstrations, studio recordings and concert footage are mixed with candid interviews. Also appearing in the documentary are Alan Aldridge, Michael Caine, Julie Christie, David Hockney, Mick Jagger, Lee Marvin, Andrew Loog Oldham, Vanessa Redgrave and American 'beat' poet Alan Ginsberg (the film’s title actually comes from one of Ginsberg’s poems). Dave Davies of The Kinks was to write a review of the movie: “Peter described the film as a "Pop Concerto for Film"; capturing the mood perfectly: pop music, pop artists, pop movie stars, with a dash of protest and druggy shots of Pink Floyd in one of their first-ever gigs at the legendary UFO Club. Peter took the Floyd into a studio and recorded two songs for exclusive use in the film – Interstellar Overdrive and Nick's Boogie; almost 30 minutes of music. By the time ‘Tonite’ was released, Syd Barrett had blossomed, faded and crashed out. The film includes the now famous (and often stolen!) shots of the Rolling Stones and some over zealous fans swinging round Mick's and Keith's stoned heads, at the Albert Hall - Mick bravely singing "Have you seen your mother baby...." The lyrical, hypnotising slow motion shots were edited to "Lady Jane" and somehow summed up the sombre, poignant side to the Sixties. It wasn't all fun and games, as Vanessa Redgrave shows so effectively, singing (again at the Albert Hall) a Cuban revolutionary song dressed in an outfit (straight from the jungles of Bolivia?) that might have been made fashionable by Che Guevara. Eric Burdon's song - "When I Was Young" was grittily and grainily "illustrated" with images from the Second World War.

Intercut between the music sequences are interviews with Mick Jagger, ("I don't see it as my job to change the world!"), Michael Caine, (some hints at Pop Art Seduction - "At least I never ask!"), Julie Christie, ("This is where it's all happening!"), Donyale Luna (you don't remember her? A peach!), Lee Marvin on the set of the film Dirty Dozen, (wondering what's under the mini-skirts), Edna O'Brien, ("A girl can't just go off alone across bloody Africa - or if she does, she'll come back pregnant or something!"), the Pop artist Alan Aldridge, and various snap interviews with people in clubs like Tiles or posturing on the streets - like Carnaby Street and the Kings Road. This unique film not only captures the excitement of that historic era - but also manages to capture most of the themes of the prevailing zeitgeist - and does so with great cinematic invention and style.” There is footage of John Lennon, Mick Jagger, Vanessa Redgrave, Lee Marvin, Julie Christie, Allen Ginsberg, Yoko Ono, Eric Burdon and Michael Caine attending one of the Pink Floyd’s concerts. The muli-talented Whitehead was born in Liverpool on 8th January 1937 and, while at Cambridge University, he worked for Francis Crick, the co-discoverer of DNA. Poet Laureate Ted Hughes wrote a poem about him, ‘The Risen’, and he acted alongside Ian McKellan and Peter Cook in the theatre. He turned down the opportunity of studying at the Slade School of Art, deciding instead to learn filmmaking under the tutelage of British director Thorold Dickinson.

He was closely associated with The Rolling Stones and Pink Floyd and was a pioneer of the pop promo, filming performances of the Stones, Pink Floyd, Jimi Hendrix, The Animals, Small Faces and Nico for ‘Top of the Pops.’ Whitehead became involved in the counter-culture of London, which allowed him access to filming prominent figures of the time as well as the various activities in the ‘Swinging’ city. His series of documentaries are an invaluable glimpse into the London scene of the 1960’s and include ‘Wholly Communion’ (1965), ‘Charlie Is My Darling’ (1966) and ‘Pink Floyd London ’66-’67 (1967), culminating in ‘Tonite Let’s All Make Love In London.’ Variety magazine was to comment, “Not a documentary in any ordinary sense, but rather an impressionistic view of the 'land of mod' as seen by a sympathetic participant." The original soundtrack was issued on Andrew Loog Oldham’s Immediate label and the tracks were: ‘Interstellar Overdrive’ Pink Floyd; ‘Night Time Girl’, Twice As Much; ‘Out of Time’, Chris Farlowe; Changing of the Guard’, the Marquis of Kensington; ‘Winter Is Blue’, Vashti; ‘Here Comes The Nice’, The Small Faces; ‘Paint It Black’, Chris Farlowe; ‘When I Was Young’, Eric Burdon & The Animals; ‘Interstellar Overdrive (Reprise)’, Pink Floyd; ‘Tonite Let’s All Make Love In London’, Allen Ginsberg.

The See For Miles label released a much-extended soundtrack, with 25 tracks on CD on 26th February 1991. The tracks were: ‘Interstellar Overdrive’ Pink Floyd, the full length version at 16 minutes 46 seconds; Interview with Michael Caine; ‘Changing of the Guard', the Marquis of Kensington; ‘Night Time Girl’, Twice As Much’; Interview with a ‘Dolly Bird’; ‘Out of Time’, Chris Farlowe; Interview with Edna O’Brien; ‘Interstellar Overdrive (Reprise)', Pink Floyd; Interview with Andrew Loog Oldham; ‘Winter Is Blue’, Vashti; Interview with Mick Jagger; Interview with Julie Christie; Interview with Michael Caine; ‘Paint It Black’, Chris Farlowe; Interview with Alan Aldridge; ‘Paint It Black (Reprise)', Chris Farlowe; Interview with David Hockney; ‘Here Comes The Nice’, The Small Faces; Interview with Lee Marvin; 'Interstellar Overdrive (Reprise 2)', Pink Floyd; Nick’s Boogie’, Pink Floyd; ‘Tonite Let’s All Make Love In London’, Allen Ginsberg reciting his poem.